about us

We are an international partnership exploring the fundamental questions of coexistence through the intersection of philosophy and theatre. Our work seeks to expand theatre’s reach, engaging with wider audiences by questioning the foundations of the theatrical event – togetherness, perception, and the shifting realities of our world. Engaging with the instability of truth as a lived reality, we are proposing a theatrical and artistic approach which  aligns with the mechanisms of contemporary perception in search for freedom within structures. 

Rather than beginning with a fixed “what” we start with the “how” – foregrounding ambiguity, contradiction, inconsistency, and multiplicity within the structures of industrial art-making and the busy busy life. For us, theatre is dance, and dance is theatre. It is a shared, relational space of transformation, of worry, and joy.

Drawing inspiration from Jerzy Grotowski, Isabel Lewis, Merce Cunningham, John Cage, Tibetan Buddhism, Martin Heidegger, Gilles Deleuze, Jacques Derrida, Object-Oriented Ontology, and the theory of affective affordance, our inquiries revolve around temporality, endings, beginnings, hypocrisy, ridiculousness, beauty, surrender, and play. 

We propose a theatre beyond (post-)dramatic conventions and rigid categorizations – an epic-theatrical approach redefined for contemporary perception.

Ours is a training based, research-driven practice, using artistic production to investigate how theatre remains relevant in our metamodern realities. Our aim is to discover new ways of being together – not through certainty, but through the diversity of experiences and the evolving trust that emerges through shared encounters.